On a stage evoking De Chirico’s metaphysics, evil is put on display. Géricault’s raft becomes an island where humanity plans its own self-destruction instead of mutual aid. Cain’s instinct grows sophisticated: man places all his technological prowess at the service of conflict. In 21st-century warfare, human genius transforms annihilation into professional work, masking primal barbarism behind the cold, clean efficiency of devices.
